Picture Perfect Gymnastics by Hopes and Dreams

University of Illinois-Chicago meet - February 23, 2008

University of Minnesota Women's Gymnastics
1st row: Alexis Russell, Jade Beattie, Ashley Stanton, Jade Beattie, & Yuri Nagai.
2nd row: Angela Walker, Carmelina Carabajal x2, Kendra Elm, Ashley Mutchler, & Carmelina Carabajal x3.
3rd row: Ana Balboa, Angela Walker, Ashley Stanton x3, Alexis Russell, & Kristin Furukawa.
4th row: Jamie Bullock, Ashley & Carmelina, Kendra Elm in Action, teamwork, & Ashley Stanton.
    spark
Picture Perfect Gymnastics galleries  0  1  2  3  4  5  6  7  8  9  10
Here's a slideshow with more pictures from this meet.  Buy a Print
Check the calendar (January - February - March) for meets.

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How To Take Gymnastics Pictures - Part I

So you're interested in taking pictures of gymnastics, and you would like to know how? Well, don't. Gymnastics is about motion. Understanding gymnastics from a picture is like understanding a movie from a movie still; it really doesn't capture the essence of the thing.

There. Aren't you glad I talked you down from wanting to take gymnastics pictures? Me too.

It's good to take care of these things so that they --

You're still here? Okay, if you really want to take gymnastics pictures you have to understand that you can't. You see, even though I think gymnastics would be much better outside, it's an indoor sport, but you can't use a flash because it could throw the gymnasts off. Plus, the idea of using a common camera flash in a stadium is like trying to light up a house with static electricity. Not too bright.

So you have to be close to the action to catch enough light. So you contact the proper authorities for the facility in advance to request a media pass. But you have to be representing media and what media is going to let you represent them when you don't have any experience?

You go up in the stands with the rest of the audience, except that you have one of those ginormous head-clunking lenses that the instruction booklet says should have its own tripod, and you figure you don't need one. You'll just use the shoulder of the person in front of you.

Good luck. Because you'll be lucky to be able to swing the lens around to follow the action without batting down everyone in clobbering range.

Plus, if you look at the fine print on your ticket stub or posted in the lobby, you will find that people generally can't bring big equipment into stadiums.

Because this sport is all about motion and you are trying to stop it, you could speed up your shutter to some micro-fraction of a second. But the faster the shutter, the darker the picture.

Even if you figure out a good camera, a good spot, and a good understanding of what works -- the balance between light and speed, be prepared for odd stuff. See the pictures above.
(to be continued)

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