Picture Perfect Gymnastics by Hopes and Dreams

University of North Carolina Meet - March 7, 2008

University of Minnesota Women's Gymnastics
1st row: 
Ashley Mutchler, Carmelina Carabajal, Angela Walker, Angela Walker & Alexis Russell.
2nd row: Kendra Elm,
Alexis Russell, Kendra & Alexis welcome you to Minnesota, Jade Beattie, & Ashley Mutchler.
3rd row:  
Amanda Miles, Ana Balboa, Jamie Bullock & the Sun, Carmelina Carabajal, Kristin Furukawa.
4th row: 
 Angela Walker, pictures of heroes Cathy Keyser-Cami Phillippi-Lacey Purkat-Jenny Alf, Ana as the Statue of LibertyAshley Stanton, & Yuri Nagai x4.
    spark
Picture Perfect Gymnastics galleries  0  1  2  3  4  5  6  7  8  9  10
Here's a slideshow with twice as many pictures from this meet.  Buy a Print
Check the calendar (January - February - March) for meets.

American Gymnastics Gothic
~ American Gymnastics Gothic ~


How To Take Gymnastics Pictures Part III (continued from Part II)

Is it possible to be faster than a digital camera?

Yes, I can do it. It is the opposite of impressive. Here's what I did. I pulled the camera card before the camera was finished writing to it. Bad idea -- way to corrupt most of the pictures. Darkroom disaster. Half of the pictures were not to be found... at least not quickly. Digital data is generally recoverable. I used PhotoRec, free software (Win or Mac) and got my pictures back, giving you the gallery above.

In the How To Take Gymnastics Pictures parts I and II, I talked about:
  • not taking pictures (just don't do it),
  • lighting (no flash),
  • seating (no tripods),
  • fast shutter,
  • deleting digital pictures,
  • the mental gymnastics of picture taking,
  • and I just covered recovering photos.
What I haven't mentioned is the camera.

It doesn't matter.

The Camera
Okay, it matters... but not much. Any camera can take amazing pictures. Sometimes the camera's durability is more important than any special features, and cameras today are not designed for heavy wear and tear. If you carry your camera through Arctic conditions, let it warm up before taking pictures. And work with the camera's settings to prevent flash and noise.

There are three options that are significant to gymnastics photography: optical zoom, image stability, and recovery time.

If you are taking pictures so close to the action that you may become part of the event, then you don't need optical zoom. But all others could use a good optical zoom. The difference between optical zoom and digital zoom is that digital zoom is essentially just cropping the center of the subject area. I always turn off the digital zoom.

Most digital cameras have a 3x optical zoom, which means the pictures are three times closer than they would normally be. The pictures above were taken with 12x (the equivalent of  a 420mm lens) and 18x compact digital cameras. With powerful zooms, the camera's image stability software becomes increasingly important for picture sharpness without a tripod.

Gymnastics is fast. The camera needs to be faster. Camera speed can be measured as recovery time. Recovery time is the amount of time the camera takes to save one picture and become available for the next picture. Recovery time depends on what options have been selected, so at best the manufacturer can only list an average recovery time. Gymnastics will not wait for the camera to be ready.

But again, the camera doesn't matter. What matters more than anything that has been discussed so far is why to take the picture.

A Great Picture
What makes a great picture? Is a great gymnastics picture a mid-air expression of agony and effort? Is it an effortless smile amidst amazing moves? Does it need the apparatus as a frame of reference? Like gymnastics, a great picture can be a series of elements. How many great elements does a picture need to be great? Is photo-journalistic objectivity the goal or is that a myth? Or is the goal to highlight the athletes and the sport?

Maybe the goal is to lighten a serious sport, while highlighting the athletes and gymnastics.

Ultimately, it's these decisions that matter most in gymnastics photography.
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